Showing posts with label JRF. Show all posts
Showing posts with label JRF. Show all posts

Important notes on Post Modern Poet Thomas William Gunn for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

 Thomas William Gunn (1929-2004)

● Gunn grew up in England and later moved to the United States, where he settled in San Francisco. His poetry reflects both British formalism and American freedom.

● Gunn often explored themes of personal freedom, particularly in the context of 1960s counterculture.

● He was an Anglo- American poet.

● His style is logical and economical.

● He has been compared with John Donne.

● As an openly gay poet, he wrote about same-sex love, relationships, and desire.

● Many of his later poems, especially in The Man with Night Sweats (1992), dealt with the AIDS crisis and the loss of friends.

● Some poems explore the tension between aggression and discipline, reflecting his interest in motorcycle gangs and street life.

Important works 

1) Fighting Terms(1954) 

2) The sense of Movement (1957) 

3) My Sad Captains (1961) 

4) Touch ( 1967) 

5) Molly (1971) 

6) The Passage of Joy (1982) 

7) The Man with the Night Sweats (1992) 

8) Boss Cupid (2000) 

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Important notes on Post Modern Poet Philip Larkin for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

 Philip Larkin(1922-1985)

☆ He was an English poet and novelist.

☆ When he was a school boy of 15, he wrote his first poem 'Winter Nocturne', which was published in his school magazine in 1938. It shows the the influence of Yeats.

☆ He became famous as a novelist.

☆ He spent much of his professional life as a librarian, notably at the University of Hull, which influenced his perspective on life and literature.

☆ His first novel 'Jill' was published in 1946.

☆ Another novel A Girl in Winter  was published in 1947.

☆ He was always preoccupied with what he called ' the melancholy, the misfortunate, the failing elements of life'.

Important works: 

1) The North ship (1945) :- 

● Written by Philip Larkin, whose poetry is known for its clear, unadorned language and its reflective, sometimes melancholic tone.

● Like many of his works, "The North Ship" uses everyday imagery to explore deeper existential themes.

● The poem fits within Larkin’s broader exploration of modern life, the passage of time, and the inevitability of change.

● Reflects post-war sensibilities, where there was a growing preoccupation with isolation, mortality, and the discontents of modern existence.

● It gave little indication of his future distinction as a poet. 

2) The Less Deceived (1955) 

3) The Whitsum Weddings (1964) :- 

● First published in 1964, the poem quickly became one of Larkin’s best-known works.

● The poem captures a train journey on a Whitsun weekend—a traditional holiday period in England when many couples marry.

● It reflects Larkin’s characteristic focus on everyday experiences, using them to comment on broader themes like time, change, and the nature of modern life.

● Vivid depictions of the countryside, railway journey, and wedding processions create a strong sense of place.

● Composed in free verse, which allows Larkin to mirror the continuous, flowing motion of the train.

● The poem is divided into several stanzas that chronicle various scenes witnessed during the journey.

● It describes autobiographical elements.

4) High Windows (1974):- 

● "High Windows" is both a poem and the title of Philip Larkin’s 1974 collection.

● Written during a period of significant social and cultural change in Britain, the poem reflects the upheavals of modernity—especially in attitudes toward sexuality and generational roles.

● This poem is an ironic tribute to the sexual freedom and permissiveness of 1960s.

● The poem is often interpreted as an endorsement of the sexual revolution, celebrating the removal of the strictures of an older, repressive social order.

● Larkin contrasts the restrictive past with the liberating possibilities of the modern era.

● A significant aspect is the shift between generations. The “high windows” metaphorically represent the new vistas available to the younger generation, which the older generation never fully experienced.

● He had admiration for Laurence's Lady Chatterley's Lover. 

● In the opening stanza of the poem, he refers to a love making scene. 'When I see a couple of kids/ And guess he's fucking her and she's taking pills or wearing a diaphragm/I know this is the paradise everyone old has dreamed of all their lives'.

● The imagery of “high windows” suggests escape, openness, and a break from confinement.

● While there is an element of celebration in embracing modern freedoms, there is also a reflective melancholy about what is lost in the transition from the old to the new.

5) Annus Mirabilis :- 

● This poem's name means the year of miracles.

● In Larkin’s usage, the title is ironic. Rather than celebrating a year filled with genuine miracles, the poem interrogates the modern tendency to hype progress while everyday life remains largely unremarkable.

● Written in the context of post-war modernity, the poem reflects a period when society was imbued with both high expectations (new freedoms, technological advances, cultural shifts) and a pervasive sense of disillusionment.

● The poem questions whether modern life ever truly delivers on the “miraculous” promises it proclaims.

● Larkin juxtaposes the high hopes embedded in the phrase “annus mirabilis” with a reality that is muted, routine, or even disappointing.

● It examines the paradox of a society that boasts about progress while many aspects of life remain stagnant or are mired in familiar routines.

6) Afternoons 

7) Toads 

8) Church Going:- 

 "Church Going" is a poem by Philip Larkin, first published in 1954 in The Less Deceived. It explores the poet’s reflections on religion, faith, and the cultural significance of churches in a secular world.

● The poem examines the diminishing role of churches in modern society. Larkin wonders what will happen when religious belief fades.

● The poem questions whether churches will continue to hold cultural significance even after faith diminishes.

●  A mix of skepticism, curiosity, and reverence. The speaker is both dismissive and appreciative of churches.

Summary

  • The speaker enters a church when no one is around, observing its elements (altar, lectern, floor).
  • He acknowledges that he is not religious but still finds something significant about the place.
  • He speculates about the future of churches, wondering if they will become mere historical monuments.
  • Despite his skepticism, he concludes that people will always need places to reflect on life’s big questions.

● "Church Going" reflects Larkin’s characteristic blend of skepticism and reluctant admiration for tradition. While he doubts the continued relevance of churches, he acknowledges their deep-rooted importance in human life. The poem ultimately suggests that even in a secular world, people will still seek out places of contemplation.


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Important notes on Post Modern Poet Ted Hughes for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

 Ted Hughes(1930-1998) 


☆ He was an English Poet.

☆ He was impressed with Yorkshire's local language and traditional oral literature.

☆ He became the poet laureate in 1984.

☆ Hughes is widely regarded as one of the most important poets of the 20th century, noted for his powerful imagery and exploration of the natural and mythical worlds.

Important Works:- 

1) The Hawk in the Rain (1957) : This early collection established Hughes's reputation, showcasing his ability to capture the raw power of nature through striking imagery and dynamic verse.

2) Wood Wo (1967)  

3) Lupercal (1960) 

4) Crow ( 1972) : One of his most influential works, "Crow" reimagines creation and the nature of evil through a mythic narrative voice. The collection’s dark, allegorical tone explores themes of destruction, regeneration, and the cyclical nature of life.

5) Birthday Letter (1998) 

6) The Thought Fox

7) The Bull Moses.

8) Hawk Roosting

9) Crow Wakes (1971) 

10) Eat Crow(1972) 

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Important notes on Post Modern Poet Seamus Heaney for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

 Seamus Heaney (1939-2013) 

☆ Seamus Heaney was an Irish poet, playwright, and translator.

☆ He is considered one of the greatest poets of the 20th century.

☆ He won nobel prize in 1995.

☆ He was the writer of the modern version of "Beowulf".

☆ Heaney joined the circle of Ulster (Belfast) poets in 1960s, which included Philip Hobbsbaum, Derek Mahon, Paul Muldoon, James Simmons, Frank Ormsby and Michael Foley known as 'The Group'.

Important Works:- 

1) Death of a Naturalist (1966) : First major collection; drawn from childhood experiences and environments.

2) Door into the Dark (1969): The title 'Door into the Dark', points to Heaney's belief that poems emerge from what he called ' the buried life of the feelings'.

3) Wintering out(1972) 

4) North(1975) 

5) Field Work ( 1979) 

6) Sweeney Astray (1983) 

7) Station Island (1984)

8) The Haw Lantern (1987) 

9)  Seeing Things (1991) 

10) The Spirit Level (1996)

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Important notes on William Langland for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

 William Langland (1332-1400) 

 

  • William Langland was an English poet, best known for his allegorical poem "Piers Plowman".
  • His life details are uncertain, but he is believed to have been born in the West Midlands, England.
  • He wrote in Middle English and was influenced by medieval Christian thought.
  • His date of death is unknown.
  • He wrote only one famous work i.e. The Visions of Piers the Plowman.
  • Key Work: Piers Plowman
  • One of the greatest Middle English allegorical poems.
  • Written in alliterative verse, a style common in Old English poetry.
  • The poem explores social injustice, corruption in the Church, and the search for a true Christian life.
  • Features a dream-vision format where the protagonist, Will, searches for truth and salvation.
  • The poem first appeared in 1362 in 1800 linesbut after final revision it reached its final form in 1500 lines in 1377.
  • A major work of Middle English literature, alongside The Canterbury Tales by Geoffrey Chaucer.
  • Influenced later writers, including John Bunyan (The Pilgrim’s Progress).
  • The seven deadly sins are: pride, Luxury, Envy, Wrath, Avarice, Gluttony, and Sloth.
  • Piers the Plowman is the part of "Alliterative Revival" of the 15th century.
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    Important notes on Socrates for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

     Socrates (470-399 BC)

    Socrates was a classical Greek philosopher from Athens.

    He is considered one of the founders of Western philosophy.

    Unlike other philosophers, he did not write any works; most of what we know about him comes from his students, especially Plato and Xenophon.

    Socrates has become renowned for his contribution to the field of Ethics and it is the Platonic Socrates who lends his name to the concept of Socratic Irony and the Socratic Method.

    He was prominently lampooned in Aristophanes' comedy "The Clouds".

    ☆ Famous Quotes:- 

  • “The only true wisdom is in knowing you know nothing.”
  • “An unexamined life is not worth living.”
  • “To find yourself, think for yourself.”
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    Important notes on Euripides for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

     Euripides (480-406 BC)

    ● Euripides was one of the three great tragedians of ancient Greece, along with Aeschylus and Sophocles. He was known for his innovative approach to Greek tragedy, presenting complex characters, psychological depth, and challenging traditional beliefs. His plays often questioned fate, the gods, and social norms, making him one of the most modern and controversial playwrights of his tim

    ● He wrote over 90 plays, but only 18 or 19 survive in ful

    ● Women in his plays are often intelligent, independent, and rebellious. Examples include Medea, Phaedra, and Electra, who defy societal norm

    Major Works:

    1) Alcestis (438 BC)

    2) Medea (431 BC)

    3) Heracleidae (430 BC)

    4) The Bacchae (405 BC)

    5) The Trojan Women (415 BC)

    6) Hippolytus ( 428 BC)

    7) Helen ( 412 BC)

    8) Andromache ( 525 BC )

    9) Hecuba ( 424 BC ) 

    10) The suppliants ( 423 BC )

    11) Electra (420 BC) 

    12) Heracles(416 BC) 

    13) Phoenician Women(410 BC)

    14) Orestes ( 408 BC)


    The informations  given here are very useful to the aspirants of NET, SET ,JRF, WBPSC Assistant Master and Mistress  and literature students.

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    Important notes on Sophocles for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

     Sophocles(497-406 BC)


    ●  Sophocles was one of the greatest playwrights of ancient Greece and a central figure in the development of Greek tragedy. Along with Aeschylus and Euripides, he is one of the three great tragedians whose works have survived. His contributions to drama significantly influenced the evolution of Western theater.

    ● According to Aristotle, Sophocles is responsible forr introducing the Thind actor to the Greek stage. 

    ● Sophocles wrote 123 plays during the course of his life but only seven have survived in completed form, They are: 

    1) Ajax:- 

  • The story of Ajax, a great Greek warrior who feels dishonored after losing Achilles' armor to Odysseus.
  • He falls into madness, kills himself, and the play explores themes of pride, honor, and fate.
  • 2) Antigone:- 

  • Focuses on Oedipus' daughter, Antigone, who defies King Creon’s order not to bury her brother Polynices.
  • Explores themes of civil disobedience, duty to family, and divine law vs. state law.
  • 3) The Women of Trachis

    4) Oedipus the King:- 

  • A tragic story of fate, free will, and blindness.
  • Oedipus unknowingly kills his father (Laius) and marries his mother (Jocasta), fulfilling a prophecy.
  • When the truth is revealed, Jocasta commits suicide, and Oedipus blinds himself in horror.
  • 5) Electra:- 

  • A retelling of the story of Electra and Orestes, who seek revenge for the murder of their father, Agamemnon.
  • Themes include justice, vengeance, and family loyalty.
  • 6) Philoctetes

    7) Oedipus at Colonus:- 

  • Follows Oedipus after his exile from Thebes.
  • He seeks refuge in Colonus and ultimately dies under divine protection.

  • The informations  given here are very useful to the aspirants of NET, SET ,JRF, WBPSC Assistant Master and Mistress  and literature students.

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    Important notes on Aeschylus for NET, SET ,JRF, WBPSC Assistant Master and Mistress and literature students.

     Aeschylus ( 523-456 BC)

    > Aeschylus is called as "The Father of Tragedy"

    > He was an ancient Greek Tragedian.

    > Only seven out of 70-90 plays survived.These seven tragedies are: - 

    1) "The Persians" (472 BC) 

    2) "Seven Against Thebes (472 BC)

    3) "The Suppliants" (463 BC)

    4)"Orestia " Trilogy 

    5) "Prometheus Bound"(authorship is disputed) 

    > Orestia trilogy consists of three tragedies: "Agamemnon", "The Libation Bearers" and "The Eumenides" , this trilogy depicts the bloody story of the family of Agamemnon, King of Argos.

    > Among his plays "Prometheus Bound" is very much disputed. Some critics believes that it was written by his son Euphorion.

    > The contemporary events and useful source of information about his period is found in the play "The Persians ".


    The informations  given here are very useful to the aspirants of NET, SET ,JRF, WBPSC Assistant Master and Mistress  and literature students.

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    Literary Terms for English Literature, SSC and Net, Set students

     Important Literary Terms for students of  WBCSSC, NET, SET


    Anti-sentimental comedy

    This type of comedy basically comes as a kind of protest against the sentimental drama. It discarded the sentimental elements like overdose of pathos, note of seriousness and moral purpose. Instead, such comedies try to produce hearty or often hilarious laughter. Ex. - Goldsmith's She Stoops to Conquer.

    Absurd Drama

    Absurd drama is a new invention in the mid 20th century in the field of theatre. This kind of drama is based upon the belief that the human condition is essentially and ineradicably absurd, and that this condition can be adequately represented only in this kind of play. Samuel Beckett's Waiting for Godot, Malone Dies, The Unnamable are examples of Absurd drama.

    Ambiguity


    Ambiguity in literature can be called the language of paradox. It is the assertion of the union of opposites. True poem, like Keats" "Ode on a Grecian Urn", is an amalgamation of varied experiences, widely different from and even opposite to each other. Here ambiguity or paradox synthesizes and reconciles these experiences. Keats in this odc expresses a life which is above life, but it is at the same time a kind of death.


    Autobiographical Essay


    When in the essay the author will speak out his vital experiences of life, either external or emotional, it will become autobiographical. That means, in such essay the personal or subjective elements must be much more strongly present. Ex: Dream Children: A Reverie by Charles Lamb.



    Personal Essay

    In this kind of essay the author brings out his personality in much more bolder details than in the formal essays or any other kind. The author assumes a tone of intimacy with the readers, deals with everyday matters in a relaxed, self-revelatory fashion. It is also called familiar essay. By nature it is subjective to a great extent.

    Formal Essay

    This kind of essay is relatively impersonal by nature. Here the author writes as an authority or as a highly knowledgeable person and expounds his subject in an orderly way without the least of intimacy with the readers. Ex. 'The Principles of Good Writing' by L.A. Hill.

    Allegory

    The term 'Allegory' has been derived from the Greek term 'allegoria' which originally meant 'speaking otherwise'. As a rule, an allegory is a story in verse or prose with double meaning - primary/surface meaning and the under the surface meaning. It can be read and interpreted at more than one level. The story in allegories often teaches a moral. Ex. - Bunyan's Pilgrim's Progress. It is an allegory of Christian Salvation.

    Burlesque

    'Burlesque' is an incongruous imitation. It imitates the manner or the matter of a serious literary work or of a literary genre but makes the imitation amusing by a ridiculous disparity between the manner and the subject matter. It is a form of satire usually. It may be high burlesque or low burlesque. Ex. - Pope's 'The Rape of the Lock'.

    High Burlesque

    *Burlesque' is an incongruous imitation. It imitates the manner or the matter of a serious literary work or of a literary genre but makes the imitation amusing by a ridiculous disparity between the manner and the subject matter. If the form and style may be higher in level and dignity than the subject. Then it becomes high Burlesque. Ex.Dryden's 'Mac Flecknoe' and Pope's 'The Rape of the Lock'.

    Low Burlesque

    'Burlesque' is an incongruous imitation. It imitates the manner or the matter of a serious literary work or of a literary genre but makes the imitation amusing by a ridiculous disparity between the manner and the subject matter. If the form and style are low and undignified when subject is elevated, it becomes a low Burlesque. Ex. 'The Owl and the Nightingale' Butler's Hudibras, Virgil's Aeneid.

    Ballad

    Ballad is a narrative poem, usually simple and short, originally meant for singing. Ballads begin abruptly suggesting the previous action. They tell the story simply through dialogues and narrations. A popular Ballad (known also as the folk ballad or 'traditional Ballad') is a song, transmitted orally, which tells a story. Ballads are folk songs in the narrative, which are unwritten originally and are communicated orally. Ex. A Ballade upon a Wedding by Sir John Suckling, Rime of the Ancient Mariner by Coleridge.

    Ballad Variants

     A 'broadside ballad' is a ballad that was printed on one side of a single sheet (called a broadside), and it dealt with a current event or person or issue. The 'traditional ballad' has had immense influence on the form and style of lyric poetry in general, in addition to engendering the literary ballad' which is a narrative poem written in deliberate imitation of the form, language and spirit of the traditional ballad.

    Bildungsroman

    "Bildungsroman" (German word) signifies 'novel of formation' or 'novel of education', Such novel must have the development of the central protagonist's mind and character. The protagonist thus gradually develops into his state of maturity, and the recognition of his or her identity and role in the world are asserted at the end. Ex. George Eliot's The Mill on the Floss, Dickens's Great Expectation.

    Elegy

    The primary meaning of the word 'Elegy' was probably "a funeral song set to the flute." Elegy is a lyric usually formal in tone and diction, suggested either by the death of an actual person or by the poet's contemplation of the tragic aspects of life. The term in Greek literature referred both to a specific verse form and to the emotions frequently conveyed by that verse form. Ex. Gray's Elegy Written in a Country Churchyard, Goldsmith's The Deserted Village. -

    Lyric

    A lyric is originally a song poem, intended to be sung to the accompaniment of a lyre or harp. It means a short poem usually divided into stanzas. It expresses the poet's thoughts, moods or experiences. We can enumerate impulsiveness of the poet, his imagination, subjectivity, reflection, song-element, universal element and organic unity as essential features of a lyric. Ex. - The Seafarer, Helen Waddell's Medieval Latin Lyrics (1929).

    Epic Meter

    It refers to the verse or line of a poem which consists of the five regular iambic feet usually without any variation. So it is an iambic pentameter Ex. "An like / a qui- / vered mymph/with ar- / rows keen." It is so called from its use in the narrative and didactic or epical poetry by Milton, Dryden, Spenser and so on.


    Free Verse

    is a kind of verse of varying line-lengths, usually not rhymed. Such verse is composed without any attention to the conventional rules of meter. Inspired by vers libre of the French poets, Free Verse seeks to recreate the free rhythm of natural speech. Its chief exponents are Walt Whitman, Amy Lowell, Ezra Pound ctc. Ex. - Milton's Lycidas, Samson Agonistes.

    Objective Correlative

    Eliot in his essay "Hamlet and His Problems" said that the writer should not express his emotion directly: "The only way of expressing emotion in the form of art is by finding an objective correlative', in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion". Eliot also added that this emotion of the writer will evoke the same emotion from the reader. Eliot goes on to suggest that in Lady Macbeth's sleep-walking speech and in the speech that Macbeth makes when he hears of his wife's death, the words are completely adequate to the state of mind.

    Sonnet

    Sonnet' comes from the word 'Sonnetto', which means a short poem of 14 lines expressing one single thought or feeling. It is a lyric variant having all the essential qualities of a lyric. What is special about the sonnet is its restricted form of 14 lines, its specific division into octave and sestet, or into quatrains and couplet as well as a special rhyme scheme having 5 or 7 rhymes.

    Classification of Sonnets

    There are three most widely recognised forms of the sonnet with their traditional rhymeschemes. The first is the Italian or Petrarchan form, the second the Spenserian form and then the English or Shakespearean form.

    Petrarchan Sonnet

    In the Italian or Petrarchan form, a two-part division of thought is invited, and the octave offers an admirable unified pattern and leads to the 'volta' (turn of thought) in the sestet. This sonnet is divided into octave and sestet, the rhyming scheme in the octave' is abba abba in 'sestet' cde cde (or cd cd cd).

    Shakespearean Sonnet

    The Shakespearean or English form is a simplified one, easier for use - three quatrains followed by a couplet with the rhyme-scheme abab cdcd efef gg. The English form invites a division of thought into three quatrains and a summarising couplet. Having no *caesure' (pause) or 'volta' (turn of thought) at the end of 8th lines, it works up right to the final couplet, the apex of the poetic thought.



    Alexandrine Meter

    It refers to the verse or line of a poem which consists of the six regular iambic feet usually without any variation. So it is an iambic hexameter. Ex. "And now / by winds / and waves/thy life / less limbs / are tossed." It is so called from its use in an old French poem on Alexander the Great.



    Spenserian Sonnet

    The Spenserian sonnet, a notable variant of the Shakespearean of English form, offers two thoughts dialectically presented. It is called 'link sonnet' because each quatrain is linked to the next by a continuing rhyme or the linked rhyme, abab bcbc cdcd ee.

    Flat and Round Character

    E.M. Forster in his Aspects of the Novel (1927) classified the characters into Flat and Round kinds. A "flat character does not change in the cause of a story or play. A Round character is a three dimensional character which appears more life-like in spite of being a fictional character. Primarily those characters must undergo some changes in their action and behaviour in course of the narrative. Each of them changes and their change surprises the readers. Forster cites Mrs. Micawber as a flat character and Becky Sharp as a round character.

    Soliloquy

    This term has come from Latin 'Soliloquium' meaning ‘alone to speak'. Soliloquy is a talk to oneself, whether silently or aloud. In drama it denotes the convention' by which a character, alone on the stage, utters his or her thoughts aloud. Playwrights like Shakespeare and Marlowe have used this device as a convenient way to convey information about a character's motives and state of mind, or for purpose of exposition, or in order to guide the judgements and responses of the audience. Shakespeare's Hamlet, Macbeth and Marlowe's Dr. Faustus have major soliloquies.

    Monologue and Aside

    In a monologue, a single person speaking alone - with or without an audience. Most prayers, much lyric verse and all laments are monologues. Ex. - Browning's My Last Duchess'. In aside a character expresses to the audience his or her thoughts or intentions in a short speech, which by convention is inaudible to the other characters present on the stage; unless of course the aside be between two characters and therefore clearly not meant for anyone else who may be present. It is still liberally used in pantomime and in farce.

    Symbol

    A symbol, in the broadest sense of the term, is anything which signifies something else. As commonly used in literature, however, "symbol is applied only to a word or set of words that signifies an object or event which itself signifies something else". For example, a peacock in its literal meaning is a kind of bird. But as a symbol it is associated with pride.

    Short Story

    It is a narrative tale with physical brevity. It requires anything from half an hour to one or two hours in its 'perusal'. It deals with a single episode or situation to reveal a single of the central protagonist. With limited number of characters, with the precision aspect in words and expressions, it must produce a single effect or impression, either tragic or comic. Ex. - Katherine Mansfield's 'The Fly'.

    Supernaturalism

    Supernaturalism is an artistic device, a theory or a technique. It means the application of some superstitious mystical belief in those irrational rules and laws which go beyond the laws of nature, or beyond our usual everyday practical experiences. Ex. - The Arabian Nights.

    Willing suspension of Disbelief

    It is a particular poetic theory of Coleridge relating to art of supernaturalism. By the term he meant that, if any reader wants to enjoy his supernatural poems, he must discard his rational doubts or questionings. That means, he must intentionally drive away or suspend all his rational doubts to enjoy the poem to his heart's content.

    Thesis Play

    It is a kind of play, tragedy or comedy, which is constructed with the basic intention or purpose to establish some novel and revolutionary ideas or ideals exactly in the manner of a thesis. It very probably, offers a solution. It is originated in France in the 19th A Doll's House by Ibsen. century. Ex. -

    Farce

    It is type of comedy, which is designed to rouse a simple hearty laughter by presenting highly exaggerated physical actions, improbable and ludicrous situations, and like anomalies and mix-ups. The characters and dialogues are nearly always subservient to plot and situation. The plot is usually complex and events succeed one another with almost bewildering rapidity. Ex. - Shakespeare's Comedy of Errors.

    Ode

    An ode is a long lyric poem that is serious in subject and treatment. Generally it is in the address form, encomiastic in tone, elevated in style and elaborated in stanza structure.Ex.  Keats's Ode to a Nightingale'.

    Carpe Diem

    Horace in one of his odes first used the Latin phrase "carpe-diem" which means “seize the day”. The speaker in a 'crape diem' poem emphasizes that life is short and time is fleeting. The more complex poem of this kind communicates the poignant sadness or even desperations of the pursuit of pleasures under the inevitability of death. Marvell's "To His Coy Mistress" is the greatest example.

    Genre

    The term 'genre' (French) denotes a recurring type of literature, or as we now often call it a literary form'. The 'genres' into which works of literature have been classified at different times are numerous. In time of Plato or Aristotle, literature was divided into three genres 'Lyric', 'epic' (or ‘narrative') and 'drama'. Over the last three centuries, to them have been added genres like 'biography', 'essay' and 'novel'.

    Metaphor

    *Metaphor' is a combination of "meta' (Gk-change) and 'phera' (Gk. - I bear). According to this original meaning, in any Metaphor there is a change or transfer to a word from one object to another, whereby a comparison is implied.

    Metaphor is perhaps the most important figure of speech for the poets. Simply it refers to an implicit comparison between two dissimilar objects. In it a word or expression is applied to a distinctly different kind of thing or action. For example, Burns said "O my love is a red, red rose". Here we've an implicit comparison between love and rose. The similarity between them is in their beauty.

    Tenor-Vehicle in a Metaphor

    I.A. Richards called one compared object 'tenor' and the other vehicle'. The vehicle' means the metaphorical term itself, e.g. 'rose' in the given example from Burns. In the expression, "camel is the ship of the desert", the vehicle is the 'ship'.

    Point of View

    Point of view means the perspective through which the writer presents his characters and events. There are mainly three kinds of point of view. First, there is the omniscient point of view where the narrator relates the story, comments on the characters and situations. Next, we have the first person auto-biographical point of view. Thirdly, there is the composite point of view.


    Verbal Irony

    discrepancy between expectation and reality, between apparent and the real. Verbal irony means to say one thing while meaning the opposite. Ample use of this verbal irony is found in satirical poems by Dryden and Pope. The first sentence of Austen's Pride and Prejudice is well-known for its vorbal irony.

    Structural Irony

    Structural irony is another species. In Austen's Pride and Prejudice Darcy is guided by pride and Elizabeth by prejudice, but it is found that they react in a way contrary to what is wise or appropriate. Contrast is there between the character's understanding of his acts and what the narrative demonstrates among them.

    Dramatic Irony

    In drama or even in novels dramatic irony can be found. It implies a contrast between the ignorance of the character and the knowledge of the spectators or readers. Oedipus married his own mother ignorantly when the spectators have the full knowledge of the mistakes. It contributes to the ultimate tragic effect. So it is an example of dramatic irony.

    Consonance

    In this device, there is a repetition of consonantal sounds while the vowel sounds differ. Here the pair of words are usually of equal number of syllables. Ex. 'black-block, slipslop', 'criss-cross', 'jig-jag' etc. This device is the base of what came to be known as para rhyme' in modern poetry.

    Scansion

    Scansion is the art of determining the metrical scheme or pattern of some piece of poetry by going through every line of it, dividing it into feet or measures of which it is composed. To scan, we have to follow the different steps like, syllabification, accentuation, determining the number and pattern of feet etc.










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